Early Christians indeed believed that God could puncture the barriers between heaven and earth to reveal his will through visual messaging. This cultural style ranges from western Alaska to northern Canada.Christianity is a religion of signs. Groundhog’s visage takes on human-like characteristics just as the Yup’ik mask takes the form of a bird. The two mouths are particularly similar to each other. Carved and attached objects give an upward movement to the whole mask, and the face carries an animated expression.īy comparison, the Groundhog Mask (right) from the Tlingit culture in coastal northwestern Canada exhibits similar forms and many of the same motifs. The painted areas outline or follow shapes. The Yup’ik dance mask from Alaska is stylized with oval and rounded forms divided by wide bands in strong relief. Let’s find evidence of this style by comparing two masks one from Alaska and the other from Canada. Cultural styles are formed over hundreds or even thousands of years and help define cultural identity. Some main elements of cultural styles are recurring motifs, created in the same way by many artists. 19th century carved and painted wood, animal hair collection the Burke Museum, University of Washington, Seattle used by permissionĬultural styles refer to distinctive characteristics in artworks throughout a particular society or culture. More than with other styles, issues of content are associated with a non-objective work’s formal structure. Pergusa Three by American painter and printmaker Frank Stella uses organic and geometric shapes and strong colour set against a heavy black background to create a vivid image. This style rose from the modern art movement in Europe, Russia, and the United States during the first half of the 20th century. In this way, the non-objective style is completely different than abstract, and it is important to make the distinction between the two. Non-objective imagery has no relation to the so-called real world that is, the work of art is based solely upon itself. With this in mind, we can see how any work of art is essentially made of smaller abstract parts that, when seen together, make up a coherent whole. Note how the painting dissolves into a grid of individual fingerprints, a process that renders the surface very abstract. At first glance, it is a highly realistic portrait of the artist’s grandmother-in-law. View Fanny/Fingerpainting by American painter and photographer Chuck Close. Questions of abstraction may also emerge from something as simple as our distance from an artwork. So, it’s important that we understand artworks from cultures other than our own in the context in which they were originally created. It’s very possible that the cultural perspective of these two cultures would consider the Roman bust as abstract. In addition, the African mask shares some formal attributes, such as the exaggerated eyes and mouth and the painted lines and designs, with those found on the Tlingit Groundhog Mask from Canada’s west coast. Yet, to the African culture from which the mask emerged, it would appear more realistic. In all three of these, the artists manipulate and distort the so-called real landscape as a vehicle for emotion.įrom the same perspective, the African mask would be considered abstract. The rendering of a town at the lower left is reduced to blocky areas of paint and a black triangular shape of hill in the background. 2 goes further into abstraction, releasing colour from its descriptive function and vastly simplifying forms. Vasily Kandinsky’s Landscape with Red Spots, No. Georgia O’Keeffe’s Birch and Pine Trees – Pink, 1925 combines soft and hard abstraction into a tree-filled landscape dominated by a spray of orange paint suggesting a branch of birch leaves at the top left. Through the rounded forms and gesture in treatment, we can discern hills, clouds, a road, and some trees or bushes. In the first one, Marsden Hartley uses abstraction to give the piece Landscape, New Mexico a sense of energy. Let’s look at three landscapes with varying degrees of abstraction in them to see how this style can be so effective. Abstraction can be created by exaggerating form, simplifying shapes, or using strong colours. The Brooklyn Museum, New YorkĪn abstract style is based on a recognizable object, which is then manipulated by distortion, scale issues, or other artistic devices. Marsden Hartley, Landscape, New Mexico, c.
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